Early Music America provides this listing as a service to the field. While we aim to keep this list as up to date as possible, please contact the relevant institution for current information.
Boston University
College of Fine Arts–School of Music
Department of Historical Performance
Peter Sykes, Chair
Degrees Offered:
M.M. in Historical Performance (2 years)
D.M.A. in Historical Performance (4-7 years beyond M.M.)
(B.M., M.M. and Ph.D. in Musicology are also offered.)
Early Music Faculty:
Baroque flute (Christopher Krueger)
Recorder (Aldo Abreu)
Baroque oboe (Marc Schachman)
Baroque violin (Jane Starkman)
Baroque violin (Marilyn McDonald)
Baroque cello (Sarah Freiberg)
Viola da gamba (Laura Jeppesen)
Harpsichord, fortepiano, continuo (Peter Sykes)
Baroque trumpet (Robinson Pyle)
Resident Ensemble: Boston Baroque
Artist in Residence: Martin Pearlman
Website:
www.bu.edu/cfa/music
Contact Person:
Peter Sykes, Chair
Department of Historical Performance
College of Fine Arts , Music Division
Boston University
855 Commonwealth Avenue
Boston , MA 02215
617/358-2786
fax 617/353-7455
psykes@bu.edu
Case Western Reserve University
Department of Music
Mary E. Davis, Chair
Degrees Offered:
B.A. in Music with concentration in Early Music Performance Practices
M.A. in Early Music Performance Practices (2-2 1/2 years)
D.M.A. in Early Music (3 years)
Ph.D. in Musicology with Specialization in Early Music Performance Practices (4 years)
Early Music Faculty:
Medieval and Renaissance performance practice (Ross W. Duffin)
Baroque Performance Practice (Peter Bennett)
Classical & Romantic Performance Practice (Francesca Brittan)
Baroque chamber ensembles (Peter Bennett)
Medieval and Renaissance music (David Rothenberg)
Medieval and Renaissance ensembles (Debra Nagy)
Baroque orchestra, historical dance (Julie Andrijeski)
Visiting Artists for 2009-2010 (Ellen Hargis, voice; Catharina Meints, viola da gamba; Barry Bauguess, baroque trumpet; René Schiffer, baroque cello)
Instruction in other instruments by arrangement
Website:
http://music.cwru.edu/earlymusic
Contact Person:
Ross W. Duffin
Department of Music
Case Western Reserve University
Cleveland OH 44106-7105
216/368-2412
fax 216/368-6557
ross.duffin@case.edu
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Claremont Graduate University
Department of Music
Robert Zappulla, Chair
Degrees Offered:
D.M.A. in Historical Performance Practices, Performance, Composition
M.A.in Music/Concentration in Historical Performance Practices
Claremont Graduate University also offers a Ph.D. degree in Musicology, D.M.A. and M.A. degrees in Performance and Composition, and Doctor/Master of Church Music degrees.
Early Music Faculty:
Voice (Carol Lisek)
Baroque violin/viola (M. Anne Rardin)
Renaissance/Baroque flute/recorder (Janet Beazley)
Natural trumpet (Raymond Burkhart)
Harpsichord (Robert Zappulla)
Lute/theorbo/guitar (Daniel Zuluaga)
Viola da gamba/violone (Shanon Zusman)
Fortepiano (Preethi de Silva)
Musicology/Historical Performance Practices (Nancy van Deusen, Robert Zappulla)
The performers listed above comprise C.G.U.'s resident early-music ensemble, Concordia Clarimontis (Robert Zappulla, Director). C.G.U. lists a number of other Associated and Studio faculty members in its bulletin and on its web site.
Website: http://www.cgu.edu/music
Contact Person:
Robert Zappulla, Chair
Department of Music
Claremont Graduate University
925 North Dartmouth Avenue
Claremont , CA 91711
Tel.: 909-607-3289
Fax: 909-607-3694
robert.zappulla@cgu.edu
Cornell University
Department of Music
Rebecca Harris-Warrick, Chair
Judith Peraino, Director of Graduate Studies
Degrees Offered:
D.M.A. in Performance Practice (3 years)
(Ph.D. in Musicology also offered)
Early Music Faculty:
Fortepiano (Malcolm Bilson)
Organ, harpsichord, clavichord (Annette Richards, David Yearsley)
French Baroque music & dance (Rebecca Harris-Warrick)
Medieval music (Judith Peraino)
18th- and 19th-century music (James Webster)
17th- & 18th-century music, Mozart (Neal Zaslaw)
Website:
www.arts.cornell.edu/music
Contact Person:
Judith Peraino
Director of Graduate Studies
Department of Music
Cornell University
Lincoln Hall
Ithaca , NY 14853
607/255-9078
fax 607/254-2877
grad_music@cornell.edu
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Cornish College of the Arts
Music Department
Kent Devereaux, chair
Degrees Offered:
BM in Instrumental or Vocal Performance with an emphasis in early music
Early Music Faculty:
Baroque flute (Janet See)
Baroque violin (Ingrid Matthews, Tekla Cunningham)
Viola da gamba (Margriet Tindemans)
Harpsichord (Byron Schenkman, Jillon Stoppels Dupree)
Lute (Stephen Stubbs)
Baroque harp (Maxine Eilander)
Voice (Cyndia Sieden, Nancy Zylstra, Ross Hauck)
Website:
www.cornish.edu/music
Contact Person:
Kent Devereaux, Chair
Music Department
Cornish College of the Arts
1000 Lenora St
Seattle, WA 98121
206/726-5030
fax 206/726-5183
kdevereaux@cornish.edu
Duke University
Stephen Jaffe, Chair of Music Department
Philip Rupprecht, Director of Graduate Studies
Degree(s) Offered:
A.M. in Performance Practice (students are expected to continue toward Ph.D. in Musicology)
Early Music Faculty:
Harpsichord, organ (Robert Parkins)
Baroque/Classical Flute (Rebecca Troxler)
Fortepiano (Randall Love)
Voice (Penelope Jensen)
Collegium Musicum (Karen Cook)
Other performance faculty on an ad hoc basis
Musicology: Medieval, Renaissance (Thomas Brothers, Kerry McCarthy)
Website:
www.music.duke.edu
Contact person:
Robert Parkins
919/660-3315
rparkins@duke.edu
Christy Reuss, Director of Graduate Studies Assistant
Duke University Department of Music
Box 90665
Durham , NC 27708-0665
919/660-3308
Fax: 919/660-3301
christy.reuss@duke.edu
Eastman School of Music
Douglas Lowry, Dean
Degrees Offered:
M.M., D.M.A. in Early Music with Emphasis on Lute and Historical Plucked Instruments
M.M., D.M.A. in Harpsichord & Historical Keyboards Diploma in Early Music (awaiting final approval)
(M.A. and Ph.D. in Musicology are also offered)
Early Music Faculty:
Early Music Program Director, Lute (Paul O’Dette)
Harpsichord & Organ Improvisation (William Porter)
Fortepiano (Malcolm Bilson)
Early Keyboards (Kristian Bezuidenhout)
Viola da gamba, Baroque chamber ensembles (Christel Thielmann)
Baroque oboe (Geoffrey Burgess)
Website:
www.esm.rochester.edu
Contact Person:
Paul O’Dette
Eastman School of Music
26 Gibbs St.
Rochester, NY 14604
585-274-1446
paulrodette@gmail.com
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Florida State University
College of Music
Don Gibson, Dean
Degrees Offered:
B.M. and M.M. in Harpsichord Performance
M.M. and Ph.D. in Historical Musicology (with emphasis in early music)
Certificate in Harpsichord Performance
Certificate in Early Music
Website:
www.music.fsu.edu/early-ensembles.htm
Contact Person:
Charles Brewer
College of Music
Florida State University
Tallahassee , FL 32306-1180
850/644-6403
fax 850/644-2033
cbrewer@fsu.edu
Indiana University
Jacobs School of Music
Early Music Institute
Michael McCraw, Director
Degrees Offered:
B.M. in Early Music (Instrumental or Vocal)
M.M. in Early Music (Instrumental or Vocal)
D.M. in Early Music (Instrumental or Vocal)
Also offered are Artist Diploma, Performer Diploma, and Visiting Student status.
(M.A. and Ph.D. in Musicology are also offered.)
Faculty:
Recorder (Michael McCraw)
Traverso (Barbara Kallaur)
Early Clarinet (Eric Hoeprich)
Baroque & Classical oboe (Washington McClain)
Baroque & Classical bassoon (Michael McCraw)
Cornetto (Kiri Tollaksen)
Natural horn (Richard Seraphinoff)
Violin (Stanley Ritchie)
Viola da gamba, Medieval bowed strings (Wendy Gillespie)
Lute (Nigel North)
Harpsichord, Fortepiano (Elisabeth Wright)
Voice (Paul Elliott)
Cello (Christine Kyprianides)
Website:
www.music.indiana.edu/som/emi/
Contact Person:
Sung Lee
Early Music Institute
Jacobs School of Music
Indiana University
Bloomington , IN 47405
812/855-4088
emi@indiana.edu
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The Juilliard School
Monica Huggett, Artistic Director
Degrees Offered:
M.M. in Historical Performance
Graduate Diploma in Historical Performance
Faculty:
Baroque Flute (Sandra Miller)
Baroque Oboe (Gonzalo Ruiz)
Baroque Bassoon (Dominic Teresi)
Violin (Monica Huggett, Cynthia Roberts)
Cello (Phoebe Carrai)
Double Bass/Violone (Robert Nairn)
Figured Bass (Arthur Haas)
Harpsichord (Kenneth Weiss)
Chamber Music Coach (Robert Mealy)
Website:
www.juilliard.edu/admissions
Contact Person:
Juilliard Admissions
60 Lincoln Center Plaza
New York, NY 10023-6590
212/799-5000
admissions@juilliard.edu
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Longy School of Music
Karen Zorn, President
Wayman Chin, Dean of the Conservatory
Frances Conover Fitch, Chair, Early Music
Degrees Offered:
Master of Music in Early Music Performance (2 years)
Graduate Performance Diploma in Early Music (2 years)
Artist Diploma in Early Music Performance (2 years)
Master of Music with Emphasis in Historical Performance [Woodwinds, Brass, or Strings] (2 years)
Early Music Faculty:
Recorder (Sonja Lindblad-Wise)
Renaissance winds (Daniel Stillman)
Baroque flute (Na’ama Lion)
Baroque oboe (Stephen Hammer)
Baroque bassoon (Andrew Schwartz)
Cornetto (Michael Collver)
Natural horn (Jean Rife)
Baroque violin (Dana Maiben, Kinloch Earle)
Baroque cello (Phoebe Carrai)
Viola da gamba (Jane Hershey)
Violone, Bass (Anne Trout)
Lute (Douglas Freundlich)
Harpsichord (Frances Conover Fitch, James Nicolson, Peter Sykes)
Fortepiano (Peter Sykes)
Organ (Peter Sykes)
Voice (Laurie Monahan)
Historical dance (Ken Pierce)
Visiting Faculty:
Renaissance Theory (Sarah Mead)
Website:
http://www.longy.edu/
Contact Person:
Alex Powell, Director of Admissions
Longy School of Music
One Follen Street
Cambridge, MA 02138
617-876-0956 x1521
fax 617-876-9326
admissions@longy.edu
Mannes College
Joel Lester, Dean
Mannes Extension Division
David Tcimpidis, Director
Degrees Offered:
Extension Diploma in Historical Performance (Voice)
Extension Diploma in Historical Performance (Instrumental)
Early Music Faculty:
Harpsichord (Arthur Haas, Gwendolyn Toth)
Viola da gamba (Martha McGaughey)
Lute (Grant Herreid)
Notation, Recorder (Valerie Horst)
Recorder (Anita Randolfi)
Voice (Lois Winter)
Website:
http://www.newschool.edu/mannes/subpage.aspx?id=2816
Contact Person:
David Tcimpidis, Director, Extension Division
Mannes College
150 W. 85th St.
New York, NY 10024
212-580-0210, x 4825
mannesextension@newschool.edu
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McGill University
The Schulich School of Music
Don McLean, Dean
Degrees Offered:
B.Mus. in Early Music Performance (4 years)
B.Mus. with Honours in Early Music Performance (4 years)
Licentiate in Music (L.Mus.), B.Mus.-level performance diploma program for advanced students available in early music instruments and voice (3 years)
M.Mus. in Early Music Performance (2 years)
Artist Diploma, M.Mus.-level performance diploma for advanced students in Early Music Performance (2 years)
D.Mus. in Performance (Early Music instruments and voice) (3 years)
(It is also possible to earn a B.Mus. in Music Theory or Musicology using an early instrument for the performance component. McGill also offers an M.A. and Ph.D. in Musicology.)
Early Music Faculty:
Recorder (Matthias Maute, Natalie Michaud)
Baroque flute (Claire Guimond)
Baroque oboe (Bruce Haynes, Matthew Jennejohn)
Baroque bassoon (Mathieu Lussier)
Cornetto, historic brass (Douglas Kirk)
Sackbut (Dominique Lortie)
Baroque violin (Chantal Remillard, Hélène Plouffe)
Baroque viola (Hélène Plouffe)
Baroque 'cello (Susie Napper)
Viola da gamba (Betsy MacMillan)
Lute (Sylvain Bergeron)
Harpsichord (Hank Knox, Kenneth Gilbert)
Continuo (Hank Knox)
Improvisation (William Porter)
Organ (John Grew, Kenneth Gilbert, William Porter)
Fortepiano (Tom Beghin)
Voice (Valerie Kinslow)
Renaissance Music, Performance Practice, Notation (Julie Cumming)
Analysis of Early Music, Modal Counterpoint, and History of Theory (Peter Schubert)
Eighteenth-century studies, Performance Practice (Tom Beghin)
Website:
http://www.mcgill.ca/music/performance/early/
Contact Person:
Hank Knox, Chair
Early Music Area
Schulich School of Music
McGill University
555 Sherbrooke Street West
Montréal, QC H3A 1E3 CANADA
514/398-4535 ext. 00230
fax 514/398-8061
hank.knox@mcgill.ca
New England Conservatory of Music
Historical Performance Department
John Gibbons, Chair
Degrees Offered:
B.M. in Historical Performance (4 years)
Undergraduate Diploma (3 years)*
M.M. in Historical Performance
Graduate Diploma (3 semesters)*
D.M.A. in Historical Performance (2-3 years)
Artist Diploma (2 years): a tuition-free program open by audition to unusually accomplished solo performers.
*These degrees have more emphasis on performance.
(B.M., M.M. and D.M.A. in Music History and Musicology are also offered)
Early Music Faculty:
Recorder (Aldo Abreu, John Tyson)
Baroque flute (Christopher Krueger)
Harpsichord (John Gibbons)
Website:
www.newenglandconservatory.edu/
Contact Person:
John Gibbons, Chair
Historical Performance Department
New England Conservatory of Music
290 Huntington Avenue
Boston , MA 02115
617/585-1100
fax 617/262-0500
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Oberlin College
Conservatory of Music
Historical Performance Program
David Breitman, Director
Degrees Offered:
B.M. in Historical Performance (4 years)
M.M. in Historical Performance (2 years)
B.M. in a modern instrument and M.M. in Historical Performance (5 years) (students may audition for this program in their third year)
Artist Diploma in Historical Performance (2 years)
Early Music Faculty:
Recorder, Baroque flute (Michael Lynn, Kathie Lynn Stewart)
Recorder (Alison Melville)
Baroque violin (Marilyn McDonald)
Baroque cello, viola da gamba (Catharina Meints)
Harpsichord (Webb Wiggins)
Fortepiano (David Breitman)
Organ (James David Christie)
Lute (Michael Manderen)
Collegium musicum, historical winds, research methods (Steven E. Plank)
Performance practice (David Breitman)
Website:
http://new.oberlin.edu/conservatory/departments/historical-performance/
Contact Person:
David Breitman, Director
Historical Performance Program
Oberlin College
Conservatory of Music
Oberlin , OH 44074
440/775-8215
fax 440/775-8942
David.Breitman@oberlin.edu
Peabody Conservatory of The Johns Hopkins University
Early Music Program
Mark Cudek, Director
Degrees Offered:
B.M. in Performance (4 years)
B.M. in Voice with a concentration in Early Music
M.M. in Performance for early instruments and voice
D.M.A. in Performance for harpsichord (other instruments pending)
Performer’s Certificate for harpsichord (other instruments pending)
Graduate Performance Diploma for early instruments and voice
(M.M. in Musicology also offered)
Ensembles:
Peabody Renaissance Ensemble
Baltimore Baroque Band
Baroque Opera
Renaissance & Baroque Chamber Music
Recorder Consort
Early Music Faculty:
Recorder (Gwyn Roberts)
Baroque flute (Colin St. Martin)
Baroque oboe (Stephen Bard)
Renaissance lute (Mark Cudek)
Baroque lute, theorbo (Richard Stone)
Baroque violin, viola (Risa Browder)
Baroque cello, viola da gamba (John Moran)
Harpsichord (Adam Pearl)
Voice (Ah Hong, William Sharp)
Organ (Donald Sutherland)
Music history (Susan Weiss, Piero Weiss, Ray Sprenkle, Andrew Talle)
Opera (Roger Brunyate)
Website: www.peabody.jhu.edu
Contact Person: Mark Cudek, Director
Early Music Program
Peabody Conservatory
Johns Hopkins University
One East Mount Vernon Place
Baltimore , MD 20212
410/659-8100
fax 202/332-3881
mcudek@jhu.edu
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San Francisco Conservatory of Music
Mary Ellen Poole, Dean
Degrees Offered:
B.M. in Harpsichord
M.M. in Harpsichord
Professional Studies Diploma in Historical Keyboards (a one-year program in harpsichord, and/or fortepiano, and/or continuo. Contact Corey Jamason for more information.)
Early Music Faculty:
Harpsichord (Corey Jamason)
Baroque Cello, (Elisabeth Reed)
Viola da gamba (Elisabeth Reed)
Website:
www.sfcm.edu
Contact person:
Office of Admission
San Francisco Conservatory of Music
50 Oak Street
San Francisco CA 94102-6011
415/864-7326
Fax: 415/503-6299
800/899-SFCM
Admit@sfcm.edu
SUNY Stony Brook
College of Arts & Sciences
Music Department
Daniel Weymouth, Chair
Judith Lochhead (Chair beginning August 2009)
Degrees Offered:
M.M. and D.M.A. in Harpsichord
M.M. in early music available under certain circumstances; contact Arthur Haas for more information
Early Music Faculty:
Harpsichord, Baroque Ensemble, Performance Practice seminar (Arthur Haas)
Music history seminars on Baroque topics, Performance Practice seminar (Mauro Calcagno)
Website: http://naples.cc.sunysb.edu/CAS/music.nsf
Contact Person:
Arthur Haas
SUNY Stony Brook
Music Department
3304 Staller Center
Stony Brook, NY 11794-5475
631/632-7330
Fax 631/632-7404
Ahaas61866@aol.com
University of Illinois
School of Music
Karl Kramer, Director
Degrees Offered:
B.M. in Organ and Harpsichord
M.M. in Organ and Harpsichord
D.M.A. in Organ and Harpsichord
Early Music Faculty:
Harpsichord, continuo (Charlotte Mattax)
Organ (Dana Robinson)
Website:
www.music.uiuc.edu/acadPerfOrganHarpsichord.php
Contact Person:
Music Admissions Office
School of Music
University of Illinois
1114 W. Nevada St.
Urbana, IL 61801
217/244-7899
musicadmissions@illinois.edu
Université de Montréal
Faculté de musique
Degrees Offered:
B.Mus. Interprétation [performance*] (3 years)
M.Mus. Interprétation (3 semesters)
D.E.S.S. Interprétation (1 year)
D.Mus. Interprétation (3-5 years)
*all degrees are in early instruments or keyboards
(Université de Montréal also offers a B.Mus., M.A., and Ph.D. in Musicology)
Early Music Faculty:
Recorder (Francis Colpron)
Baroque flute (Grégoire Jeay)
Baroque oboe (Matthew Jennejohn)
Baroque violin (Olivier Brault)
Viola da gamba (Margaret Little)
Lute, baroque guitar (Sylvain Bergeron)
Organ, harpsichord (Réjean Poirier)
Voice (Suzie LeBlanc)
Music history (Marie-Alexis Colin)
Oratorio seminars (Mark Pedrotti)
Baroque ensembles (Margaret Little, Réjean Poirier)
Website:
www.musique.umontreal.ca
Contact Person:
Réjean Poirier
Faculté de musique
Université de Montréal
Case Postale 6128, succ. Centre-ville
Montréal , QC H3C 3J7
Canada
514/343-6061
fax 514/343-5727
rejean.poirier@umontreal.ca
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University of Michigan
School of Music
Karen Wolff, Dean
Degrees Offered:
M.M. in Harpsichord, Fortepiano, or Early Keyboard Instruments (2 years)
D.M.A. in Harpsichord Performance (3 years)
(The University of Michigan also offers an Early Music Major and Music History Major at the undergraduate level. The M.A. and Ph.D. in Musicology are offered at the graduate level.)
Early Music Faculty:
Harpsichord (Edward Parmentier)
Cello, viola da gamba (Enid Sutherland)
Organ (Marilyn Mason, James Kibbie, Michele Johns)
Fortepiano (Penelope Crawford)
Medieval and Renaissance vocal music (James M. Borders)
Music theory, 18th-century compositional process (Ellwood Derr)
Baroque theory, analysis (Wayne Petty)
17th-century Spanish theater music (Louise K. Stein)
Lecturer of Dance (Khita Whyatt)
Website:
www.music.umich.edu
Contact Person:
Edward Parmentier
School of Music
University of Michigan
Ann Arbor , MI 48109
734/764-2506
fax 734/763-5097
eparment@umich.edu
University of North Texas
College of Music
James Scott, Dean
Degrees Offered:
M.M. in Musicology with a concentration in Early Music Performance (2-3 years)
Ph.D in Musicology with a concentration in Early Music Performance
M.A. in vocal performance with a concentration in Early Music Performance
B.M., M.M. and D.M.A. in harpsichord performance
B.M. in Music History may use early instruments as their concentration.
Related field (Minor) in Early Music for M.M. and D.M.A. degrees
Artist Certificate in early instruments
Early Music Faculty:
Baroque flute (Lee Lattimore)
Recorder and Baroque oboe (Kathryn Montoya)
Baroque violin and viola (Cynthia Roberts)
Baroque cello (Gyongy Erodi)
Baroque oboe (Gonzalo X. Ruiz)
Baroque bassoon (Keith Collins)
Natural trumpet (Adam Gordon)
Natural horn (William Scharnberg)
Lute (Lyle Nordstrom)
Harpsichord, fortepiano (Christoph Hammer)
Viola da gamba (Patricia Adams Nordstrom)
Voice (Lynn Eustis, Richard Croft, Jennifer Lane)
Sackbut, viola da gamba, recorder (graduate assistants)
Medieval and Renaissance Music (Benjamin Brand)
Renaissance and Baroque Performance Practices (Lyle Nordstrom)
Ornamentation and improvisation; Directing Early Music Ensembles (Lyle Nordstrom)
Baroque and Classical performance practices (Deanna Bush)
Baroque Music from the " New World" (Bernardo Illiari)
Collegium Singers (Richard Sparks)
Website:
http://www.music.unt.edu/areas-of-study
Contact Person:
Lyle Nordstrom
Director of Early Music
College of Music
University of North Texas
1155 Union Circle #311367
Denton , TX 76203-4917
940/565-4655
fax 940/565-2002
lyle.nordstrom@unt.edu
or lnord@mindspring.com
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University of Oregon
Brad Foley, Dean
Degrees Offered:
Ph.D., D.M.A., supporting area in Historical Performance Practice
(Focusing on academic aspects such as rhetoric, treatise study,
history of performance practice, art and music history, etc.)
Early Music Faculty:
Baroque cello (Marc Vanscheeuwijck)
Voice (Eric Mentzel, Nicholas Isherwood)
Baroque bassoon (Steve Vacchi)
Natural horn (Lydia Van Dreel)
Website:
http://music.uoregon.edu/
Contact Person:
Marc Vanscheeuwijck
1225 University of Oregon
Eugene, OR 97403-1225
541-346-5655
Fax 541-346-0712
marcovan@uoregon.edu
University of Southern California
Thornton School of Music
Robert Cutietta, Dean
Degrees Offered:
M.A. in Music with Emphasis in Early Music Performance (2 years)
D.M.A. in Early Music Performance (3 years)
Graduate Certificate in Early Music Performance (2 years)
(M.A. and Ph.D. in Musicology are also offered)
Scholarships available for strings, winds and voice.
Regular performing ensembles include:
The Thornton Baroque Sinfonia
The USC Collegium Musicum
The USC Baroque Oboe Band
The USC Alta Capella
Early Music Faculty:
Recorder (Rotem Gilbert)
Renaissance double reeds (Adam Gilbert)
Baroque oboe (Paul J. Sherman)
Baroque bassoon, curtal (Charles Koster)
Baroque violin, viola (Elizabeth Blumenstock & Sue Feldman)
Baroque cello, viols (William Skeen)
Viola da gamba and Baroque bass (Shanon Zusman)
Harpsichord (Lucinda Carver - adm. by Keyboard Dept.)
Voice (Karen Clark)
Musicology: Medieval (Adam Gilbert, 15th century)
Musicology: Renaissance through early Baroque (Adam Gilbert, Rotem Gilbert)
Musicology: Baroque (Bruce Brown, Rotem Gilbert)
Musicology: High Baroque through Classical (Bruce Brown)
Performance Practice (Rotem Gilbert)
Websites:
School of Music : www.usc.edu/schools/music
Early Music Performance Program:
www.usc.edu/music/academic/programs/early.html
Contact Person:
Adam Gilbert
Director, Early Music Performance Program
Thornton School of Music
University of Southern California
Los Angeles , CA 90089-0851
213/740-3228
fax 213/821-1865
adam.gilbert@usc.edu
Yale University
Yale Institute of Sacred Music
Martin D. Jean, Director
Yale School of Music Robert L. Blocker, Dean
M.M in Voice: Oratorio, Early Music, Song, and Chamber Ensemble
Additional degree options after 2 years
Full tuition scholarships for two years plus stipends awarded to all singers
Numerous opportunities for solo work with the Yale Schola Cantorum and elsewhere
Principal Faculty:
James Taylor
Program Coordinator, Oratorio and Voice
Judith Malafronte
Early Music, Performance Practice and Chamber Ensemble Coaching
Ted Taylor
Art Song Coaching
Marguerite L. Brooks; Choral Conducting
Director, Yale Camerata
Masaaki Suzuki, Choral Conducting
Director, Yale Schola Cantorum
Margot E. Fassler, Music History
Markus Rathey, Music History
Website:
www.yale.edu/ism/academics/voice.html
Admissions Office
Yale Institute of Sacred Music
409 Prospect Street
New Haven, CT 06511
Tel 203/432-9753
Fax 203/432-9680
ism.admissions@yale.edu
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